‘Streaming Now’: How Amazon Prime is killing Netflix when it comes to Long-Form Content

Spoiler Warning: Today’s blog is going to be a little controversial.  So, grab your cans of Mulligatawny soup, find your nearest bunker and hide away until next week (Thursday, just to be sure) because we’re going to say something that’s probably going to get us a lot of flack, heat and at least one literal […]

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My Filmmaking Journey: In Conversation with Iqbal Mohammed, Writer/Director of BFI Network Funded Short ‘Tasbeeh’

One of the absolute highlights and pleasures of our time in the industry was in 2018 when we first got to know Iqbal Mohammed, a wonderful filmmaker, scriptwriter and all-around superb human being.  We were initially put in touch with each other thanks to the incredible Alice Ramsay, current Development Producer at BBC Writersroom and […]

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‘New Year, New Me’: Why We Rebranded to ENON films and Top Tips for Rebranding Your Company

2020 was rough wasn’t it? Just an absolute s***show as you probably don’t need us to tell you. But thankfully we’re out of it, with 2021 hopefully looking better (so long as we ignore how January went) and selfishly we have a lot of reasons to be excited for what’s coming this year.  For finally, […]

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Producing a Short Film During Covid in 5 Handy Tips (In Conjunction with the BFI ‘Scratch Me Programme)

Scratch Me is a Film Hub North and BFI NETWORK project delivered in partnership with Screen Yorkshire and SIGN (Screen Industries Growth Network) that acts as a filmmaking lab for those who haven’t had experience in making films yet, developing their skills/talent and pairing them with more experienced producers and other HOD’s, crew and post-production filmmakers from within […]

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The first steps in my filmmaking career

The Bradford 48 hour film challenge was held on the 30th October – 1st November. Twenty-two teams were invited to the National Media Museum and were greeted by Peg Alexander, Director of the Bradford City of Film. Each group was given a title and a prop and had 48 hours to write a script, cast […]

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